Sunday, June 19, 2016
Wednesday, May 25, 2016
Think of my listings on Ebay as a sort of home-made Kickstarter campaign. The print shown above, for example, is currently listed on Ebay at $13.61. That's like a gift for a donation of less than $20. There are original panels, too, often for under $100. And, for a $500 contribution, you can get an all-original first generation Map panel.
Making this Map and showing it costs money, and we rely on you to help defray those costs.
Thanks for your help!
Sunday, May 15, 2016
The term "outsider art" is a little worn out. Even the insiders acknowledge this. But the distinctions are still made- mostly in Manhattan and Basel galleries and auction rooms. The insiders are those whose work patrons are willing to bet their wallets on to increase in value over time. "Naive" seems be an appropriate way of describing many outsiders. But then it could be applied to some of the insidest artists, too. Look at many of David Hockney's paintings. Maybe they only look naive to an outsider, and an insider could explain their sophistication. For me the terms "accidental" and "intentional" have broader application. Certainly much of what is in the American Folkart Museum or the Museum of Everything was not intended by its maker to be fine art. And certainly most of what is created by people with MFAs or who are exhibited in major museums or galleries is intended to be labeled "art."
Inside or outside, I am happy just to be making my Map. I hope that viewers get some pleasure from it, too.
Tuesday, May 10, 2016
The show coming up later this year in Japan will be a big one. The Map installation there will be the biggest one since the Palais de Tokyo in Paris last year. The display above, from ArtPrize 1 in Grand Rapids in 2009, was small in comparison. The Aichi Triennale in Nagoya opens to the public on August 11 and closes on October 22.
After that I will be looking for a new host for my project. Know any curators? Contemporary museums with high walls (25 feet, at least)? Or big open floor spaces which can be viewed from above?
I really have my sights set on that five-story high North wall of the atrium at MOMA in New York, but they haven't invited me yet.
On the more down-to-earth end of my fantasies would be a high school gym in some small town in the Plains. With a little help from the students we could mount the entire Map in about three days. And it could be de-installed in time for Saturday's game. Just a thought....
Meantime go buy something on Ebay. I don't need it to pay the rent, but it helps defray the not insignificant cost of creating this thing. And it's a cheap way for you to start your art collection. Imagine your grandkids taking a panel to Antiques Road Show forty years from now!
Monday, April 11, 2016
Every morning when I remix a color I record the change in a master journal (shown above). I also record all major rule changes in that book. I rarely look back at the changes, but putting them down on paper helps to cement them in my memory. Major changes are only made when I am anxious to try a new technique or when an old one doesn't seem to be producing the results I want.
I started using the book in 2003 after I resumed work on the Map. The first entry, dated 11/5/03, read, "Finished sheets will no longer be copied onto labels. Gen II water sheets will be painted rather than collaged w/label."
Monday, April 4, 2016
Every morning when I start work in the studio I draw a card. The 23 above was the first card I turned over today. It directed me, 23 places down the current stack of panels, to the one shown above, S5/W12. Both the card and the panel were posted on Twitter.
Both of the instructions on the card were disregarded as inapplicable. There were not yet 9 collaged squares on that panel. So, a new airlane was not created. And, since the entire sheet had already been painted the "paint as previous" instruction did not apply.
What I did do was to collage 23 squares to match, as closely as possible, the underlying colors. I worked counter-clockwise since the card was a red suit. I started at the crosshairs of the sheet. When I reached the lower right corner I ran into collage work that had been done previously. That meant that I had to continue on the next sheet down, S6/W12. The final two squares were collaged on that sheet (not shown).
I finished work on this panel by drawing in the parrallelogram centered on the crosshairs and putting Map dates on a few of the squares.
Saturday, March 26, 2016
The first reminder is for you to check on Jerry's Ebay listings. There are currently some fantastic bargains. The original panel above, for example, was just re-listed at $111! It originally was listed at over $200. And there are prints, postcards, and JPEGs available starting at just over a dollar!
When you buy items off Ebay you own a piece of this life-long, monumental project. AND you help pay for the substantial costs of continuing Jerry's work. We thank you in advance!
The next reminder is to follow Jerry on Twitter (@jerrysmap). He posts the first card he draws each morning that he is in the studio. He then posts the panel that that card led him to and, later in the day, shows the changes made to that panel. It's a great way to begin to understand the process he uses.
The last reminder is to take a look at the jerrymapping subreddit. It's fun!